(C) carlo

Armsrock…Holland

copright carlo — Mon, 16 Nov 2009 06:28:24 +0000

(Photos by Philipp Haas) Armsrock’s latest work, done during the the Glow- Forum of Light in Art and Architecture, in capture citizens of Eindhoven engraved with an etching needle on a series of 18 x 18 cm photo-slides, The slides developed in black and projected with Pani projectors through out the city of Eindhoven. more after the jump

Recent drawings: Charcoal, Conte, Indian Ink on butcher paper.

copright carlo — Sun, 08 Nov 2009 01:22:48 +0000

Some new stuff.

Portraiture

wow.

copright carlo — Sun, 08 Nov 2009 01:06:12 +0000

“Sound Sculptures & Installations” is a series of beautifully minimal sound installations by swiss Zimoun and Pe Lang. Fascinating, no?

via todayandtomorrow

copright carlo — Sun, 08 Nov 2009 00:58:36 +0000

»Klunk Garden«, 2009 by Gelitin.

christmas anyone?

copright carlo — Sun, 08 Nov 2009 00:56:12 +0000

Annals of Advertising.

Thiago Hattnher

copright carlo — Sun, 08 Nov 2009 00:53:58 +0000

great project

copright carlo — Sun, 08 Nov 2009 00:51:08 +0000

I wanna shoot whoever did the music…but….still really rad idea.

From Evan:

“Thought you might enjoy some of the pre-release footage of the Digital Blackbook (Graffiti Analysis 2.0) sessions from the BLK River Festival last week in Vienna. I’m working on developing an open data base of motion capture graffiti data from writers all over the world, should be released publicly within the next 4 weeks.”

BUGS!

copright carlo — Sun, 08 Nov 2009 00:34:04 +0000

anyone thinking of buying me something?

copright carlo — Sun, 08 Nov 2009 00:32:08 +0000

Yes please! Click pic.

Kristin Baker

copright carlo — Sun, 08 Nov 2009 00:25:57 +0000

Splitting Twilight, a new exhibition from New York-based painter Kristin Baker, opens November 5 at Deitch Projects’ Wooster Street location in New York. Baker, who notoriously focuses her paintings on car racing, presents landscape painting with a modernist twist for her third exhibition with Deitch Projects.
Using layers of acrylic paint built up to form two dimensional surfaces shapes are made not by paintbrush but through tape, which when ripped away leaves overlapping silhouettes. Baker then uses scraping tools to reveal hidden layers of paint leaving grooves and tufts that make the surface look more like a collage than a painted canvas.

Splitting Twilight, which runs through December 19, uses Baker’s self- described mechanical, accidental, harmonious, raw and untamed technique to look at confusion between the natural and artificial in classic landscape painting by colliding the two with blasts of unnatural color.